The series DATA BODY begins with a self-portrait. Through digital interventions, this portrait gradually dissolves step by step. From a recognizable person emerge fragments, pixels, and structures — the body transforms into data.
In the course of this process, human features disappear completely. The figures are no longer recognizable as human beings but appear highly abstracted, cool, and distant, almost machine-like. They seem as if they were floating in an empty digital space.
The works reflect experiences of alienation, dissociation, and the feeling of lacking grounding. The bodies therefore appear like forms without a fixed ground or clear sense of belonging.
A sense of pressure and compression emerges, as if the bodies were being condensed or forced into a structure. Between emptiness, fragmentation, and digital order, abstract bodies made of data and pixels take shape — cool, distant, and yet possessing a peculiar, quiet beauty.