The series No Centre explores the body as an unstable assemblage that resists fixed order and clearly defined function. It takes anatomical structure as its point of departure—a system typically understood as coherent and functionally organized—and gradually disrupts and reconfigures it.
The drawings trace a progression: from a still legible, moving body towards increasingly complex and layered configurations, in which organic, mechanical, and abstract elements intertwine. Functional relationships begin to dissolve; organs lose their fixed roles, connections shift, and new relations emerge.
Rather than presenting a coherent organism, the works propose an open system without stable hierarchy. Centre and periphery can no longer be clearly distinguished. Instead, dense constellations of lines, fragments, and accumulations develop, resisting singular interpretation.
The series operates between recognition and disintegration. Anatomical references remain visible, yet are displaced into new contexts in which the body no longer appears as a unified entity, but as a process of continuous reorganization.